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- Vasily Trofimovich Narezhny 1780-1825 (Russian Gilblaz, or The Adventures of Prince Gavrila Simonovich Chistyakov. Novel (1812, publ. Parts 1 - 3 - 1814; Parts 4 - 6 - 1938). Two Ivans, or Passion for Litigation. Novel (1825))
- Vasily Andreevich Zhukovsky 1783-1852 (Twelve sleeping maidens. An ancient story in two ballads (part 1 - 1810; part 2 - 1814 - 1817))
- Mikhail Nikolaevich Zagoskin 1789-1852 (Yuri Miloslavsky, or Russians in 1612. Roman (1829). Roslavlev, or Russians in 1812. Roman (1831))
- Sergei Timofeevich Aksakov 1791-1859 (Family chronicle. Autobiographical story (1856). Childhood years of Bagrov the grandson. Autobiographical story (1858))
- Ivan Ivanovich Lazhechnikov 1792-1869 (Ice House. Novel (1835). Basurman. Novel (1838))
- Alexander Sergeevich Griboedov 1790/1795-1829 (Woe from Wit. Comedy in verse (1822-1825, published 1833))
- Alexander Alexandrovich Bestuzhev (Marlinsky) 1793-1837 (Roman and Olga. An old story (1823). Test. A story (1830). Armor. The story of a partisan officer (1832). Ammalat-bek. A Caucasian tale. A story (1831). The frigate "Nadezhda". A story (1832))
- Alexander Sergeevich Pushkin 1799-1837 (Ruslan and Lyudmila. Poem (1817-1820). Caucasian captive. Poem (1821-1822). Bakhchisarai fountain. Poem (1821-1823). Gypsies. Poem (1824, published 1827). Poltava. Poem (1828). The Bronze Horseman. Petersburg Tale Poem (1833). Eugene Onegin. Novel in verse (1823-1831). Boris Godunov. Tragedy (1824-1825, published 1831). The Miserly Knight. (Scenes from Chanston's tragicomedy: Thecovetousknight). Tragedy ( 1830). Mozart and Salieri. Tragedy (1830). The Stone Guest. Tragedy (1830). Feast during the plague. (From Wilson's tragedy: The city of the plague). Tragedy (1830). Stories of the late Ivan Petrovich Belkin (1830) Dubrovsky. Novel (1832, published 1841). The Queen of Spades. A Tale (1833). The Captain's Daughter. Novel (1836))
- Evgeny Abramovich Baratynsky 1800-1844 (Eda. Poem (1824, published 1826)). Ball. Poem (1828). Gypsy. Poem (1831, revised 1842))
- Alexander Fomich Veltman 1800-1870 (The Wanderer. Travel novel (1831-1832))
- Vladimir Fedorovich Odoevsky 1803-1869 (Princess Mimi. Tale (1834). Sylphide (From the notes of a prudent person). Tale (1836). Princess Zizi. Tale (1836, published 1839). Russian Nights. Novel (1844; 2nd ed. - 1862, published . 1913))
- Alexander Ivanovich Polezhaev 1804 or 1805-1832 (Sashka. Poem (1825, published 1861))
- Nikolai Vasilievich Gogol 1809-1852 (Evenings on a farm near Dikanka. Stories published by beekeeper Rudy Panko (1831-1832). Notes of a madman. Tale (1833). Nevsky Prospekt. Tale (1834). Nose. Tale (1835). Old-world landowners. Tale (1835). Taras Bulba. Tale (1835 - revised 1842). Viy. Tale (1835, revised 1842). The story of how Ivan Ivanovich quarreled with Ivan Nikiforovich. Tale (1835). The Inspector General. Comedy (1836). Overcoat. Tale (1842). Marriage. An absolutely incredible event in two acts. Comedy (1842). Players. Comedy (1842). Dead Souls. Poem (1835-1852). Portrait. Tale (1st ed. - 1835, 2nd ed.-1842))
- Alexander Ivanovich Herzen 1812-1870 (Who is to blame? Novel (1841-1846). The Thieving Magpie. Tale (1846). Past and thoughts. Autobiographical book (1852-1868))
- Ivan Alexandrovich Goncharov 1812-1891 (An ordinary story. Novel (1847). Oblomov. Novel (1849-1857, published 1859). Broken. Novel (1849-1869))
- Vladimir Alexandrovich Sollogub 1813-1882 (Tarantas. Travel impressions. Tale (1845))
- Mikhail Yurievich Lermontov 1814-1841 (Song about Tsar Ivan Vasilyevich, the young guardsman and the daring merchant Kalashnikov. Poem (1838). Tambov Treasurer. Poem (1838). Demon. Eastern story. Poem (1829-1839, published 1860). Mtsyri. Poem (1840). Masquerade. Drama in verse (1835-1836, published 1842). Hero of our time. Novel (1839-1840))
- Pyotr Pavlovich Ershov 1815-1869 (The Little Humpbacked Horse. Russian fairy tale in three parts (1834))
- Alexey Konstantinovich Tolstoy 1817-1875 (Prince Silver. The Tale of the Times of Ivan the Terrible (late 1840s-1861). The Death of Ivan the Terrible. Tragedy (1862-1864). Tsar Fyodor Ioannovich. Tragedy (1864-1868). Tsar Boris. Tragedy (1868-1869))
- Alexander Vasilievich Sukhovo-Kobylin 1817-1903 (Pictures of the past. Dramatic trilogy (1852-1869, published 1869)
- Ivan Sergeevich Turgenev 1818-1883 (Diary of an extra person. Tale (1848-1850). A month in the village. Comedy (1850, published 1855). Rudin. Novel (1855). Asya. Tale (1858). Noble nest. Novel (1858). The day before. Novel (1859). First love. Tale (1860). Fathers and sons. Novel (1862). Smoke. Novel (1867). New. Novel (1876). Klara Milich (After Death). Tale (1883))
- Pavel Ivanovich Melnikov (Andrey Pechersky) 1818-1883 (In the forests. Roman (1871-1875). On the mountains. Roman (1875-1881))
- Fyodor Mikhailovich Dostoevsky 1821-1881 (Poor people. Novel (1845). White nights. Sentimental novel (From the memoirs of a dreamer) (1848). Netochka Nezvanova. Tale (1848-1849). Uncle's dream. From the Mordasov chronicles. Tale (1856-1859). The village of Stepanchikovo and its inhabitants. From the notes of an unknown person. A Tale (1857-1859). The Humiliated and Insulted. A Novel (1861). Notes from the Underground. A Tale (1864). A Gambler. From the Notes of a Young Man. A Novel (1866). Crime and Punishment. A Novel ( 1866). The Idiot. Novel (1868). Demons. Novel (1871-1872). Teenager. Novel (1875). The Brothers Karamazov. Novel (1879-1880). The Brothers Karamazov. Novel (1879-1880))
- Alexey Feofilaktovich Pisemsky 1821-1881 (A Thousand Souls. Novel (1853-1858). Bitter Fate. Drama (1859))
- Nikolai Alekseevich Nekrasov 1821-1877/78 (Sasha. Poem (1856). Frost, Red Nose. Poem (1863-1864). Russian women. Poem (1871-1872). Contemporaries. Satirical poem (1875-1876). Who lives well in Rus'. Poem (1863- 1877, unfinished))
- Dmitry Vasilievich Grigorovich 1822-1899/1900 (Anton the Miserable. Tale (1847). Gutta-percha boy. Tale (1883))
- Alexander Nikolaevich Ostrovsky 1823-1886 (Let's count our own people. Comedy (1850). Profitable place. Comedy (1857). Thunderstorm. Drama (1859). For every wise man there is enough simplicity. Comedy (1868). Forest. Comedy (1871). The Snow Maiden. A spring tale in four actions with a prologue. Fairy tale play (1873). Wolves and sheep. Comedy (1875). Dowry. Drama (1879). Guilty without guilt. Comedy (1884))
- Alexander Vasilievich Druzhinin 1824-1864 (Polinka Sax. Tale (1847))
- Mikhail Evgrafovich Saltykov-Shchedrin 1826-1889 (The history of one city. Based on original documents, published by M. E. Saltykov (Shchedrin). Tale (1869-1870). Gentlemen of Tashkent. Pictures of morals. Essays (1869-1872). Diary of a provincial in St. Petersburg. Cycle of stories (1872). Well-intentioned speeches. Essays (1872-1876). Messrs. Golovlevs. Novel (1875-1880). Poshekhon antiquity. Life of Nikanor Zatrapezny, Poshekhonsky nobleman. Novel (1887-1889))
- Nikolai Gavrilovich Chernyshevsky 1828-1889 (What to do? Novel (1862-1863). Prologue. Novel from the early sixties (1867-1870, unfinished))
- Lev Nikolaevich Tolstoy 1828-1910 (Childhood. Tale (1852). Adolescence. Tale (1854). Youth. Tale (1857). Two Hussars. Tale (1856). Cossacks. Caucasian Tale of 1852 (1853-1862, unfinished, published 1863). War and the world. Novel (1863-1869, 1st ed. 1867-1869). Anna Karenina. Novel (1873-1877). Canvas meter. History of a horse. Story (1863-1885). Death of Ivan Ilyich. Tale (1884 -1886). The power of darkness, or Claw stuck, the whole bird is lost. Drama (1886). Fruits of enlightenment. Comedy (1889). Kreutzer Sonata. Tale (1887-1889, published 1890). Resurrection. Novel (1889-1899) . Living corpse. Drama (1900, unfinished, published 1911). Hadji Murad. Tale (1896-1904, published 1912))
- Nikolai Semenovich Leskov 1831-1895 (Nowhere. Novel (1864). Lady Macbeth of Mtsensk. Tale (1865). Warrior. Tale (1866). On Knives. Novel (1870-1871). Cathedrals. Novel chronicle (1872). The sealed angel. Tale (1873) . The Enchanted Wanderer. A Tale (1873). The Tale of the Tula Scythe Lefty and the Steel Flea. A Guild Legend. A Story (1881). The Stupid Artist. A Story at the Grave (1883))
- Nikolai Gerasimovich Pomyalovsky 1835-1863 (Molotov. Tale (1861). Essays on the bursa (1862-1863))
- Pyotr Dmitrievich Boborykin 1836-1921 (The Evening Sacrifice. A novel in four books (1867). Kitay-Gorod. A novel in five books (1881))
- Vsevolod Vladimirovich Krestovsky 1840-1895 (Petersburg slums. Novel (1864-1867))
- Gleb Ivanovich Uspensky 1843-1902 (Morals of Rasteryaeva Street. Essays (1886))
- Nikolai Georgievich Garin-Mikhailovsky 1852-1906 (Childhood Topics. Tale (1892). School students. Tale (1893). Students. Tale (1895). Engineers. Tale (1907))
- Dmitry Narkisovich Mamin-Sibiryak 1852-1912 (Privalov's millions. Novel (1872-1877, published 1883). Gold. Novel (1892))
- Vladimir Galaktionovich Korolenko 1853-1921 (In bad company. From the childhood memories of my friend. A story (1885). A blind musician. A story (1886). Without language. A story (1895))
- Vsevolod Mikhailovich Garshin 1855-1888 (Artists. Story (1879). Red Flower. Story (1883). Signal. Story (1887))
- Alexander Ivanovich Ertel 1855-1908 (Gardenins, their servants, followers and enemies. Novel (1889))
- Anton Pavlovich Chekhov 1860-1904 (Steppe. The story of one trip. Tale (1888). Ivanov. Drama (1887-1889). A boring story. From the notes of an old man. Tale (1889). Duel. Tale (1891). Jumper. Tale (1891, published 1892) . Ward No. 6. Tale (1892). Black monk. Short story (1893, published 1894). Literature teacher. Short story (1889-1894). Seagull. Comedy (1895-1896). House with a mezzanine. Artist's story (1896) . My life. A provincial's story (1896). Uncle Vanya. Scenes from village life. Play (1897). Ionych. A story (1898). A man in a case. A story (1898). Gooseberry. A story (1898). About love. A story (1898). Darling. A story (1899). A lady with a dog. A story (1899). In a ravine. A story (1899, published 1900). Three sisters. A drama (1901). A bishop. A story (1902). The Cherry Orchard. Comedy (1904))
Alexander Sergeevich Griboyedov 1790 or 1795-1829
Woe from the mind. Comedy in verse (1822 - 1825, published 1833)
Early in the morning the servant Liza knocks on the young lady's bedroom. Sophia does not immediately respond: she talked all night with her lover, her father's secretary, Molchalin, who lives in the same house.
Sophia's father, Pavel Afanasevich Famusov, who quietly appeared, flirts with Liza, who barely manages to fight off the master. Frightened that they might hear him, Famusov disappears.
Leaving Sophia, Molchalin runs into Famusov at the door, who is interested in what the secretary is doing here at such an early hour? Famusov, who cites his own "monastic behavior" as an example, is somehow reassured.
Left alone with Lisa, Sofya dreamily recalls the night that passed so quickly, when she and Molchalin "were forgotten by the music, and time went by so smoothly," and the maid could barely contain her laughter.
Lisa reminds her mistress of her former inclination of the heart, Alexander Andreevich Chatsky, who has been wandering in foreign lands for three years now. Sophia says that her relationship with Chatsky did not go beyond childhood friendship. She compares Chatsky with Molchalin and finds in the latter virtues (sensitivity, timidity, altruism) that Chatsky does not have.
Suddenly Chatsky himself appears. He bombards Sophia with questions: what's new in Moscow? How are their mutual acquaintances doing?, who seem funny and absurd to Chatsky. Without any ulterior motive, he speaks unflatteringly about Molchalin, who has probably made a career (“after all, nowadays they love the dumb”).
Sophia is hurt so much that she whispers to herself: "Not a man, a snake!"
Famusov enters, also not too happy about Chatsky's visit, and asks where Chatsky disappeared and what he was doing. Chatsky promises to tell you about everything in the evening, since he still did not have time to call home.
In the afternoon, Chatsky reappears at Famusov's house and asks Pavel Afanasyevich about his daughter. Famusov is worried, is Chatsky aiming for suitors? And how would Famusov react to this? - in turn inquires the young man. Famusov evades a direct answer, advising the guest to first put things in order and achieve success in the service.
“I would be glad to serve, it’s sickening to serve,” says Chatsky. Famusov reproaches him with excessive "pride" and cites his late uncle as an example, who achieved rank and wealth by servilely serving the empress.
Chatsky is not satisfied with this sample. He finds that the "age of humility and fear" is a thing of the past, and Famusov is outraged by these "free-thinking speeches", and he does not want to listen to such attacks on the "golden age".
The servant reports on the arrival of a new guest, Colonel Skalozub, whom Famusov is courting in every possible way, considering him a profitable groom. Skalozub innocently brags about his service successes, which were by no means achieved by military exploits.
Famusov pronounces a lengthy panegyric to the Moscow nobility with its hospitality, conservative old nobles, power-hungry matrons and girls who know how to present themselves. He recommends Chatsky Skalozub, and Famusov's praise for Chatsky sounds almost like an insult. Unable to stand it, Chatsky breaks out into a monologue in which he falls upon those flatterers and serf-owners who delight the owner of the house, denouncing their "weakness, poverty of reason."
Skalozub, who understood little of Chatsky's speeches, agrees with him in assessing the pompous guardsmen. The army, according to the brave campaigner, is no worse than the "guards".
Sofya runs in and rushes to the window with a cry: "Oh, my God, he fell, he killed himself!" It turns out that it was Molchalin who "cracked" from the horse (Skalozub's expression).
Chatsky wonders: why is Sophia so frightened? Soon Molchalin comes and reassures those present - nothing terrible has happened.
Sophia tries to justify her incautious impulse, but only strengthens the suspicions that have arisen in Chatsky.
Left alone with Molchalin, Sophia worries about his health, and he is concerned about her intemperance ("Evil tongues are worse than a gun").
After a conversation with Sophia, Chatsky comes to the conclusion that she cannot love such an insignificant person, but nevertheless she struggles with the riddle: who is her lover?
Chatsky starts a conversation with Molchalin and becomes even more strengthened in his opinion: it is impossible to love someone whose virtues boil down to "moderation and accuracy", someone who does not dare to have his own opinion and bows before nobility and power.
Guests continue to come to Famusov for the evening. The first to arrive are the Gorichevs, old acquaintances of Chatsky, with whom he talks in a friendly way, warmly recalling the past.
Other persons also appear (the princess with six daughters, Prince Tugoukhovsky, etc.) and carry on the most empty conversations. The Countess-granddaughter tries to prick Chatsky, but he easily and witty parries her attack.
Gorich introduces Zagoretsky to Chatsky, characterizing the latter as a "swindler" and "rogue", straight in the face, but he pretends not to be hurt at all.
Khlestova arrives, a powerful old woman who does not tolerate any objections. Chatsky, Skalozub and Molchalin pass in front of her. Khlestova expresses her favor only to Famusov’s secretary, as he praises her dog. Addressing Sophia, Chatsky is ironic about this. Sophia is infuriated by Chatsky’s sarcastic speech, and she decides to take revenge for Molchalin. Moving from one group of guests to another, she gradually hints that Chatsky seems to be out of his mind.
This rumor immediately spreads throughout the living room, and Zagoretsky adds new details: “They grabbed him, took him to the yellow house, and put him on a chain.” The final verdict is pronounced by the countess-grandmother, deaf and almost out of her mind: Chatsky is an infidel and a Voltairian. In the general chorus of indignant voices, all other freethinkers - professors, chemists, fabulists - also get their share...
Chatsky, wandering lost in a crowd of people who are alien to him in spirit, runs into Sophia and indignantly falls upon the Moscow nobility, who bows to insignificance only because they had the good fortune to be born in France. Chatsky himself is convinced that the "intelligent" and "vigorous" Russian people and their customs are in many ways higher and better than foreign ones, but no one wants to listen to him. Everyone waltzes with the greatest zeal.
The guests are already beginning to disperse when another old acquaintance of Chatsky, Repetilov, rushes in. He rushes to Chatsky with open arms, right off the bat begins to repent of various sins and invites Chatsky to visit the "secret union" consisting of "decisive people" who fearlessly talk about "important mothers." However, Chatsky, who knows the value of Repetilov, briefly characterizes the activities of Repetilov and his friends: "You only make noise!"
Repetilov switches to Skalozub, telling him the sad story of his marriage, but even here he does not find mutual understanding. With only one Zagoretsky, Repetilov manages to enter into a conversation, and even then Chatsky's madness becomes the subject of their discussion. Repetilov does not believe the rumor at first, but the others persistently convince him that Chatsky is a real madman.
Chatsky, who lingered in the porter's room, hears all this and is indignant at the slanderers. Only one thing worries him - does Sophia know about his "madness"? It never crossed his mind that she was the one who started the rumor.
Lisa appears in the lobby, followed by a sleepy Molchalin. The maid reminds Molchalin that the young lady is waiting for him. Molchalin admits to her that he is courting Sophia in order not to lose her affection and thereby strengthen his position, but he really likes only Liza.
This is heard by Sophia, who has quietly approached, and Chatsky, who is hiding behind a column. Angry Sophia steps forward: "A terrible person! I am ashamed of myself, I am ashamed of the walls." Molchalin tries to deny what was said, but Sofya is deaf to his words and demands that he leave the house of his benefactor today.
Chatsky also gives vent to feelings and denounces Sophia's deceit. A crowd of servants, led by Famusov, runs to the noise. He threatens to send his daughter to her aunt, in the Saratov wilderness, and to assign Lisa to the poultry house.
Chatsky laughs bitterly at his own blindness, and at Sophia, and at all of Famusov’s like-minded people, in whose company it is truly difficult to maintain sanity. Exclaiming: “I’ll go search around the world, // Where there is a corner for the offended feeling!” - he leaves forever the house that was once so dear to him.
Famusov himself is most concerned about “what // Princess Marya Aleksevna will say!”
Author of the retelling: V. P. Meshcheryakov
<< Back: Ivan Ivanovich Lazhechnikov 1792-1869 (Ice House. Novel (1835). Basurman. Novel (1838))
>> Forward: Alexander Alexandrovich Bestuzhev (Marlinsky) 1793-1837 (Roman and Olga. An old story (1823). Test. A story (1830). Armor. The story of a partisan officer (1832). Ammalat-bek. A Caucasian tale. A story (1831). The frigate "Nadezhda". A story (1832))
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