Table of contents (expand)
- Structure and composition of modern cultural knowledge (General characteristics of modern culture. Composition and structure of cultural knowledge)
- Culturology and philosophy of culture, sociology of culture (Main trends and schools in Western philosophy of culture in the 19th-20th centuries. Philosophy of culture in Russia in the 19th-20th centuries. Sociology of culture)
- Cultural anthropology. Culturology and cultural history (Cultural anthropology. Culturology and cultural history. Artistic style as a symbolic expression of the soul)
- Theoretical and applied cultural studies (Theoretical research in cultural studies. Applied research in cultural studies)
- Methods of cultural studies (The originality of cultural studies as a complex science. Methods of cultural research. Basic forms of spiritual culture)
- Culturology as a science of culture (Culture as a subject of cultural studies, culture. Formation of the concept of “culture” and its philosophical understanding. The concept of “culture” in the languages of various sciences and in spoken language)
- The relationship of culture and civilization (Formation and basic meanings of the concept of “civilization”. Types of civilizations. Specifics and main features of technogenic civilization. The relationship between the concepts of “culture” and “civilization”)
- Basic concepts of cultural studies (Culturogenesis (origin and development of culture). Cultural values and norms. Dynamics of culture. Modernization of culture. Morphology of culture, morphology of culture. Cultural traditions)
- Culture Models (Classical and modern models of culture. Mass and elite cultures. Subculture and counterculture. Culture as a system of signs. Information definition of culture)
- Typology of cultures (Typology of culture. Ethnic and national types of culture. “East - West” in cultural studies. Russia and the type of its culture)
- Local cultures (Local cultures as a model of human development. The concept of cultural-historical types (N.Ya. Danilevsky). Local cultures and local civilizations (O. Spengler and A. Toynbee). The theory of culture-civilizations by S. Huntington)
- The place and role of Russia in world culture (Russian culture and Russian national character. Slavic element of Russian culture. Orthodox motifs of Russian culture: original and borrowed. “Moscow is the third Rome” as the embodiment of the ideas of messianism in Russian culture. Westerners and Slavophiles about Russian culture and the historical fate of Russia)
- Trends in cultural universalization in the global modern process (Factors and mechanisms of cultural transformation. Universalization and transformation of culture in the era of globalization. Rutinization and virtualization of culture. Globalization as the basis for intercultural dialogue)
- Culture and society (Culture and nature. Culture and society. Culture and global problems of our time. Culture and personality. Socialization and inculturation)
- Features of ancient cultures (Primitive culture. Features of the great cultures of antiquity)
- The culture of antiquity. Culture of the East (The culture of antiquity. Ancient Greece. The Archaic era and its cultural achievements. The classical period. Hellenic culture. The culture of Ancient Rome. The cultures of the East. The culture of the Arab Caliphate. The culture of Ancient India. The culture of China. The culture of Japan)
- European culture (Culture of Byzantium. Culture of medieval Europe. Culture of the Renaissance. European culture of the era)
- Culture of Russia 9th-19th centuries (Culture of Ancient Rus'. Culture of the Moscow state (XIV-XVII centuries). Russian culture of the 18th century. Golden age of Russian culture)
- Culture of the Soviet state (Specifics of culture in Russia in the post-revolutionary period. Culture of the USSR in the 1930-1950s. Culture of the Soviet state in the 60-80s of the XX century. The problem of modern Russian culture)
- The concept of the origin of culture F. Nietzsche
- A. Toynbee's views on the theory of human civilization
- Theory of culture N. Berdyaev
- Z. Freud and his concept of the conscious and the unconscious
- Cultural concept of N.Ya.Danilevsky
- The philosophical concept of the functioning of culture by O. Spengler
- Theory of Supersystems by P.A. Sorokin
- Overcoming the ideas of catastrophism by K. Jaspers
- The concept of cultural archetypes by E.G. Jung
- Cultural concept of D.B. Vico
- Johan Huizinga. Homo ludens
- Umberto Eco. From the Internet to Guttenberg
- Jean-Francois Lyotard. Postmodern state
- Michel Foucault. Supervise and punish. Birth of the prison
- Robert Burton. Anatomy of melancholy
Жан-Франсуа Лиотар. Постсовременное состояние (пер. Н.Н. Ефремова)
Jean-Francois Lyotard is the author of many works on philosophy. By the time this work was written, he was very well known among philosophical writers. In The Postmodern State, he first raises the question that postmodernism is the state of philosophy as a whole. First of all, postmodernism reflects the state of spirituality of the European type in our days, associated with the departure of the term "modern" into the past, in the sense of the modern era.
Postmodernism is a set of philosophical doctrines that one way or another proclaim the end of history. Also, postmodernism is the state of contemporary artistic practice. Lyotard defines postmodernism as the state of culture after changes that have affected the rules of the game in science, literature, and art since the end of the XNUMXth century.
Lyotard says that the main meta-narratives have lost their legitimating power, that is, the main stories, narratives have lost their modernity. Lyotard attaches great importance to the narratives of the Enlightenment and Christianity. Modern narratives are different from myths, although they are very similar to them.
Myths find their basis in the past, and narratives in the future. Exhausted narratives in the modern world crumble into clouds of linguistic elements, while each of them carries spontaneously generated pragmatic meanings.
Each of us exists at the intersection of these meanings. Postmodern science creates a theory of its own evolution as paradoxical, catastrophic and incorrigible dynamics. It changes the very meaning of the word "know" and indicates how this change is possible. The main problem of culture is to find transitions between heterogeneous "language games". These are knowledge, ethics, economics, politics, etc.
The project of modernity was aimed at building a sociocultural unity where all elements must find their place. Postmodernity, according to Lyotard, begins with the death of the main metanarratives connecting the heterogeneous diversity of culture. But this does not mean that all metanarratives disappear.
They move into a different state, continuing to connect reality through transitions between language games. They avoid the fate of macro-narratives because they are pagan.
Science is a model of an open system in which the correctness of what is expressed is that it gives birth to ideas, other expressed and other rules of the game. There is no common language in science by which all facts can be explained. Language games are divided into denotative (or cognition) and descriptive (or actions).
Scientific pragmatics is concentrated on denotative expressions, it is for them that it provides a place in the institutions of knowledge. Postmodern social pragmatics is particularly opposed to the "simplicity" of scientific pragmatics.
This fact is formed by layers of classes of heteromorphic statements. There is no point in believing that we can today identify common meta-prescriptions across all language games.
Let us turn to the theory of Habermas, who proposes to reach a universal consensus through what is called discourse. This means two things. The first is that all people who form expressions can agree on rules or meta-prescriptions, recognizing them as suitable for all language games.
The second assumption is that the end of the dialogue is the consensus. Consensus is the state of the dialogue, but not its end. Consensus, according to Lyotard, has become an obsolete and suspicious value.
What it is not is justice. It is necessary to address the idea and practice of justice, which should not be associated with the idea and practice of consensus. The concept of heteromorphicity of language games is the first step in this direction. The second step is to argue that if there is a consensus for the rules that define each game and the “shots” that are struck in it, then that consensus must become local. This orientation corresponds to the evolution in our days of social interactions, when the temporary doctor is actually replacing continuous education, training in the spheres of professional, emotional, sexual, cultural, family.
Evolution is an ambiguity: the system favors the temporary contract because of its greatest flexibility, the least cost of motivations that accompany it.
In other publications of this period, Lyotard develops the ideas expressed in The Post-Modern State.
He turns to the living tissue of linguistic practice and pays special attention to the fate of the pagan micronarratives he identified - such are his works “Pagan Instructions”, “Pagan Elements”, “Trembling Stories”.
Later, in his work "Strife", Lyotard develops in detail the idea he expressed about the agonistic nature of the world of language practices. Lyotard's book The Postmodern State aptly represents the postmodern type of consciousness.
She shows that it includes the traditional understanding of culture, using it as one of the versions of the postmodern universe rich in variants.
Authors: Islamgalieva S.K., Khalin K.E., Babayan G.V.
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