Ether scarf. Effective trick and its solution

EFFECTIVE FOCUSES AND THEIR CLUES
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Ether scarf. Focus Secret

Spectacular tricks and their clues

Directory / Spectacular tricks and their clues

Focus Description:

One of the spectators is invited to the stage to help the illusionist. The artist gives him a newspaper sheet and asks to make sure that it does not contain any secrets, and also to convince those sitting in the hall of this. When the audience has examined the newspaper, the artist asks the assistant to roll a tyurik out of it, which he does.

The magician takes the finished tyurik in his hands and, going to the forefront, once again shows the audience that the tyurik is empty - at. in doing so, he taps it with his "magic" wand both from the outside and from the inside. Then, moving away from the ramp, he takes out a small bright handkerchief from his pocket and, throwing it up, catches it. While the handkerchief, slowly hovering, falls down, those present have time to make sure that this is the most ordinary handkerchief. The artist covers the top of the tyurik with it. Further, using only the "magic" wand, the illusionist slowly and gradually pushes the handkerchief inside the newspaper tirik, and then bends the edges of the tirik with the stick, that is, closes it; The illusionist passes the tyurik closed in this way to the assistant spectator standing on the stage and asks him to hold the tyurik over his head so that it is clearly visible to everyone present. Stepping back a few steps, the artist makes several "magical" passes and asks the assistant to check if the handkerchief is in place.

“There is no scarf,” says the assistant.

- This cannot be, unfold the newspaper completely, - says the artist. But there really is no handkerchief, it "disappeared". His "disappearance" is no less than the audience "surprised" and the presenter himself. "Yes, I see you are an excellent magician, but I am not so easy to deceive. Please fold the newspaper again into a bale. Thank you!" Having taken the pan, the magician again comes to the fore and, as described above, shows the audience an empty pan, tapping it with a "magic" wand, immediately closes it, and lifting it, holds it over his head. Smiling slyly, looking at the assistant spectator, the presenter says: "I beg your pardon, but this time let the tyurik be better in my hands." So he goes to his table, where he leaves his wand and takes the salt shaker. "Let's try our magic salt!" - he says, returning to the place; at the same time, he sprinkles salt on the tiurik and his hands, and then lowers the salt shaker into his pocket.

Holding the tyurik in his left hand and showing the audience that his right hand is empty, he slowly begins to open the tyurik. Once again showing that there is nothing in his right hand, he lowers it inside the tyurik and solemnly removes from it the handkerchief that "disappeared" earlier.

Turning to the assistant: "Did you think that I would not find the handkerchief you hid ?!" - the presenter throws up a handkerchief, then catches it and puts it on his shoulder. "Do you want me to get a second one?" Showing his right hand, the magician takes out a handkerchief of a different color from the tiurik. So he takes out 3-4 handkerchiefs of different colors. Then, having crumpled an empty tyurik, he throws it backstage, thanks a volunteer spectator for his help, and he goes to his place.

This is what the focus looks like from the side of the hall.

Focus secret:

The secret is in the device "magic" wand.

When the artist first showed and tapped an empty newspaper tin in front of the public, he left a wooden cork with a rod inside and clamped it with the fingers of his left hand holding the tirik (Fig. 15, A). Slowly pushing the handkerchief inside the tyurik, he hung the handkerchief on the rod (Fig. 15. B), then put it inside the "magic" wand and plugged it with a cork.

Focus Ethereal Handkerchief
Fig. 15

Thus, when the artist closed the tin, there was no longer a handkerchief in it, the spectator-assistant held an empty tin.

At the opposite end of the "magic" wand, multi-colored handkerchiefs were "charged" in advance, fastened in a loop (Fig. 15, C), which is equipped with a wooden cork that closes this end of the wand. Demonstrating for the second time an empty pan to the audience, the conjurer grabbed and left inside the cork along with colored scarves fixed in it. Taking them out one at a time, he was the first to take out a handkerchief of the same color as the one that had previously "disappeared". For this trick, small handkerchiefs 16x16 cm are used. Having pulled out the last handkerchief, the magician crumpled up the newspaper and threw it backstage (to his assistant) so that too curious viewers would not find the cork from the "magic" wand that was there.

Tricks with handkerchiefs are spectacular and are always well received by the audience (below there will be a description of several such tricks). Therefore, we consider it appropriate to introduce you to the simplest ways to make scarves. For scarves, they take the thinnest and softest varieties of silk or paper fabric, such as chiffon, maya, voile. They are made and necessarily from new fabrics. Used fabrics should only be well washed and ironed.

Scarves are needed in a variety of bright colors, poet; fabrics have to be dyed with aniline dye for matter, while they do not need to be boiled in paint at all, but rather dipped in a dye solution and dried.

Author: Bedarev G.K.

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