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How the DVD Format Works

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My task was to evaluate the quality of the reproduction of sound recordings. First, the parameters of the device were measured when operating in the mode of a classic audio CD player. The models differed from each other only in minor details. The frequency response ranged from 20 to 20.000 Hz with a deviation of 0,3 dB. The linearity of the transducers was excellent, and the signal-to-noise ratio was at least 92 dB. When evaluating the linearity of the transducers using a Denon disk reference signal, it turned out that at the lowest levels, the signal path was completely damped. Therefore, at these levels, the signal drops out, and the signal attenuation is accompanied by noise pulsation.

Since the measurement and test discs are in DVD format? recommended by ARA (Acoustics Renaissance for Audio) are not yet available, it remains to conduct a subjective test. With a high recording density, it needs to be processed by another memory block. This necessity is caused by the fact that after loading a CD, the device determines within a few seconds what recording format is available on the disc. In this case, part of the recorded material is copied to the player's memory. Then you can turn on playback mode. Since signal processing in memory takes a relatively long time, you should put up with a slightly slower turn on of all modes. For the purpose of monitoring, the input of a digital-to-analog converter was connected to the digital output. This made it possible to verify once again that:

1) The signal accompanying the image has a sampling rate of 44,1 or 48 kHz, while on a CD it is 96 kHz. according to ARA requirements:

2) the signal coming from the CD is on the digital output in SPDIF format, i.e. it can be further processed using conventional digital-to-analogue converters;

3) When playing audio recorded using the Dolby Digital system, the optical output transmits the signal in PCM AC-3 format, designed for Dolby Digital decoders.

Structurally, both models are very modern. This confirms their weight, which is comparable to that of conventional CD players: most of the drive parts are made of plastic, the electronics are located on three printed circuit boards, and the classic transformer has been replaced by a much lighter switching power supply, which has already become standard for VCRs.

Of the DVD-formatted CDs, the disc recorded in 1996 at the Prague concert hall "Rudolfinum" with works by Antoni Dvořák and Bedřich Smetana seemed the most interesting to me. The interest can be explained by the fact that the recording was made in the most advanced format, which requires ARA as the maximum, i.e. with a sampling rate of 96 kHz and 24-bit conversion. These ARA recommendations regarding the specified sample rate are met when mixing the highest quality recordings, provided that it is done without cables.

Similar requirements apply to the storage and processing of records on matrices. With a sampling rate of 96 kHz, a 16-bit or 24-bit converter can be used (depending on the number of channels and the length of the recording: 1.6 bits = 8 channels = 93 minutes; 24 bits = 2 channels = 182 minutes). The playback of the recorded material was unbeatable. Unfortunately, there was nothing to compare with, the disc was the only one, moreover, there is no similar recording in CD format. However, it can be assumed that DVD recordings will only be made by high-class professionals in studios equipped with the best equipment.

Here, an unambiguous separation of analog and digital signals should occur, and the analog signal will be intended for processing the effects signal. When listening to a DVD disc of recorded movies that has been dubbed at a sampling frequency of 48 kHz. through conventional stereo devices, the listener does not hear the sound, in particular, the average dialogue channel. This sound is largely disproportionate. It is necessary to turn off the TV, the sound part of which works from the same sound signal supplied through the SCART connector, and stubbornly automatically turned on every time a DVD disc is loaded. On the other hand, at a very low level of the reproduced signal, you may notice the penetration of the signal from the TV tuner.

The playback quality, compared to all available video sources, is much more perfect and dynamic, with less distortion. Despite the fact that the players belong to the middle price category, they can not be blamed for anything. The most interesting part of the test, i.e. we unfortunately had to postpone the comparison of playback quality in multi-channel home theater mode until we have a sufficient number of movies recorded using appropriate systems at our disposal.

After that, we will return to the DVD CD players again. Classic CDs in these players are apparently played through the same converter, which is otherwise controlled by software. This is expressed both in its limited linearity (see above) and in its playback quality, which, compared to the best CD players, is still not without some drawbacks. First of all, they should include a softer, not so hard sound of low frequencies, then a noticeable coloration of the upper part of the frequency range, as well as a rather sensitive decrease in dynamics with less precise localization and limitation of the depth of space.

These shortcomings, however, are comparable to those of similar mid-range players ($350 to $520). The first examples of DVD CD players fully confirmed the technical viability of this format. Its commercial distribution will depend mainly on the availability of related software. Otherwise, there is a danger that this format will remain only the fruit of a technical experiment, as happened, for example, with the HDCD format, where there are only 180 storage media and the prospect of expanding this number to 400 titles in the near future.

On the other hand, DVD recordings made in accordance with the ARA recommendations are almost free of flaws, but what studios can provide such conditions?

Author: Miroslav Lobov

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