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Spectra of harmonic distortions in electron tubes. Encyclopedia of radio electronics and electrical engineering

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The author presents the results of measurements of the harmonic distortion spectrum in a cascade with a transformer load for a number of common triodes and pentodes in a triode connection. The article gives recommendations on the choice of vacuum tubes for a low-power amplifier.

The reason for studying the spectrum of harmonic distortions of the tone signal was the desire to choose the most suitable tube in the output stage of the headphone amplifier. The conceived amplifier required a triode (or a pentode in a triode connection) with a well-defined output signal spectrum. The purpose of the lamp determined the test mode: the anode current (lA) - within 20 ... 40 mA and the load resistance reduced to the primary winding of the transformer - 5 kOhm.

Having outlined several types of lamps, I assembled a cascade according to the circuit shown in fig. 1 and started testing. The spectrum analyzer was connected to the output of the stage at point A. Although the transformer contributes to the total amount of distortion, at a frequency of 1 kHz, the error due to its non-linearity is so small that it can be ignored.

Harmonic Distortion Spectra in Vacuum Tubes

After examining the intended lamps, out of curiosity, I examined the spectra of all more or less suitable lamps for this cascade.

The pentodes were tested in a triode connection, and for the convenience of comparing the results of the measurements, they were carried out at the same output power for all lamps, equal to 1 W, if the lamp was capable of delivering this power.

For lamps of low power, the anode current was chosen as high as possible, but not more than 40 mA, while a mode was selected that ensures the minimum level of harmonics.

The results obtained can be extrapolated with some caution to other operating modes of the lamps; this is especially true for high-power lamps, which were significantly underloaded during the tests.

For most lamps, the following considerations can be followed.

A decrease in the lamp load resistance with a simultaneous increase in current does not significantly change the nature of the harmonic energy distribution in the spectrum. A decrease in load resistance at a constant quiescent current leads to an increase in low-order harmonics and the appearance of higher-order harmonics. A similar effect is observed with an increase in the output voltage swing, but in this case, the growth of high-order harmonics occurs faster.

With some lamps, by adjusting the power mode, you can achieve the suppression of any harmonics. For example, for a 6P13S lamp, by choosing the position of the operating point, you can almost completely suppress the fourth harmonic.

On fig. 2-16 for various lamps shows the spectra of harmonic distortion of the output voltage with an indication of their mode of operation in table. 1.

Harmonic Distortion Spectra in Vacuum Tubes
(click to enlarge)

Harmonic Distortion Spectra in Vacuum Tubes

On fig. 17 shows a summary graph of the spectra of the lamps tested.

Harmonic Distortion Spectra in Vacuum Tubes

In table. 2 shows the numerical levels of harmonic components in percent.

Harmonic Distortion Spectra in Vacuum Tubes

Based on the results obtained, a number of conclusions can be drawn regarding the most promising or frequently used lamps.

For simple amplifiers with an output power of 1 ... 2 W, 6P14P, 6P1P lamps will be the best choice from domestic ones.

For symmetrical powerful driver stages, 6P1P and 6N6P are well suited. The possibility of using a 6S19P lamp is highly controversial. This tube has the smallest third harmonic level, but the longest harmonic tail. The 6P9 lamp is unstable at high power dissipation at the anode.

For more powerful single-cycle output stages, according to the results of measurements, the EL36 lamp is most suitable; it is perhaps the most linear of all lamps tested. The use of a 6PCD lamp in single-cycle cascades, in my opinion, is completely inappropriate, despite the fact that it has a minimum level of the third harmonic. It has a rather long harmonic tail and a high second harmonic level; its place is in push-pull cascades. The 6P41S lamp looks very attractive for use in single-cycle cascades. The 6H13S lamp, due to the increased level of even harmonics, "gravitates" more towards push-pull stages.

The recommendations set forth here for the use of some of the tested lamps should not be taken unambiguously due to the significant deviation of the measurement mode from the optimal one for high-power lamps. The measurement results should be considered as input for reflection; the presented materials will help readers in choosing the output stage lamp.

The author's conclusions regarding the applicability of the most powerful lamps in various stages do not entirely coincide with the recommendations found in the literature.

Author: E.Karpov, Odessa, Ukraine

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Games, films and the rise of violence 15.11.2014

Discussions about whether video games and films with bloody content provoke aggressive behavior began in the 20s of the last century. Then, of course, there were no video games yet, but there were films, and newspapers with criminal chronicles, too, and here they are, according to many, could undermine moral foundations and "worsen the criminogenic situation." And with each new shooting incident in a school, store, on the street, such discussions revive, and proposals appear to limit the sale of shooting games, to prohibit children from watching films with violent scenes, etc. On the one hand, everything here seems logical: a person would never have thought of going to shoot at people in a store or school, but he played a game (or watched a movie) - and decided to continue in reality.

However, if we turn to psychological research on this topic, then not everything is so simple. Christopher Ferguson of the Stetson University (USA) published an article in the Journal of Communication describing the results of two studies: one analyzed the relationship between film violence and murder rates from 1920 to 2005, the second did the same for video games between 1996 and 2011. Briefly about the results obtained writes MedicalXpress.

In the first case, independent viewers assessed the degree of aggressiveness in popular films, considering both the frequency of bad episodes and their expressiveness. Cinematic aggressiveness was compared with the number of murders. As a result, it turned out that there is no correlation between these two indicators in general. Only in the middle of the 90th century was there some “consent” between the level of cruelty in popular cinema and the level of violence in life, but after the 40th year, the relationship suddenly became reversed, that is, cruelty in films grew, and murders became less and less. (Similarly, real life ignored movie brutality until the XNUMXs.) In other words, if there was a coincidence between the two, it has passed.

With games, the situation turned out to be the following: the statistics spoke more about the discrepancy between the level of cruelty in games and the level of domestic violence by young people. However, the correlation was too weak to be able to talk about it at all, in any direction.

The difference between the described works is that often the connection between violence in the media (from films to video games) and violence "in real life" is studied in laboratory experiments: a person, under the supervision of specialists, played something cruel, or watched something like that, and then his level of cruelty was measured using psychological tests. But is it necessary to say that real life is very different from laboratory conditions, and in psychology this is felt like nowhere else? Here, for comparison, just taken "life" statistics. In general, various correlations were found here, both in a positive and negative direction, but they appeared only for a short period of time. In the long run, the links between violence in the media and violence in life disappeared. We emphasize that we are not talking about the fact that virtual violence somehow stimulates or weakens real violence, but that nothing can be said about the level of virtual violence about real violence.

Besides, even if there were an obvious correlation, we would still have to decide what is the cause and what is the effect. Those who are convinced that it is the growth of violence in games that stimulates the growth of violence in life can be answered that the opposite is true, that games and films are only a mirror of real aggressiveness in society. Research of this kind inevitably invites accusations of bias, but let us ask ourselves: are there any attempts in the fight against media cruelty to simply get away from the problem, assigning something the most obvious, something that is so easy to fight as the root of all evil? You can, of course, forget about all sorts of experiments and statistics altogether, but the temptation of the scientific method, fortunately, is great enough that psychologists continue to be disturbed for a variety of reasons - including violence on the screen.

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