Orthodoxy, autocracy, nationality. Meaning, origin, examples of the use of phraseological units

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Winged words, phraseological units. Meaning, history of origin, examples of use

Winged words, phraseological units

Directory / Winged words, phraseological units

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Orthodoxy, autocracy, nationality

Uvarov S.S.

Phraseologism: Orthodoxy, autocracy, nationality.

Meaning: The phrase is a symbol of the semi-official, lowered "from above", born in the bureaucratic office "speculative ideological doctrine, which claims to be of a nationwide character, for the title of some kind of "Russian" or "nationwide idea" (iron.).

Origin: The ideological substantiation of the "theory of official nationality", which was proclaimed in 1832 by Mr. its author is the then newly appointed Deputy Minister (that is, his deputy) of Public Education, Count Sergei Semenovich Uvarov (1786-1855). Being a convinced reactionary, he took it upon himself to ideologically ensure the reign of Nicholas I, eradicating the Decembrist legacy. In December 1832, after his revision of the Moscow University, S. C. Uvarov submitted a report to the emperor in which he wrote that in order to protect students from revolutionary ideas, it is necessary, "gradually taking possession of the minds of youth, to bring it almost insensibly to the point where they must merge, to the solution of one of the most difficult tasks of the time (the struggle against democratic ideas. - Comp.), education, correct, thorough, necessary in our century, with deep conviction and warm faith in the truly Russian protective principles of Orthodoxy, autocracy and nationality, which constitute the last anchor of our salvation and the surest guarantee of the strength and greatness of our fatherland. In 1833 was Emperor Nicholas I appointed S. C. Uvarov as Minister of Public Education. And the new minister, notifying by a circular letter of his assumption of office, in the same letter stated: "Our common duty is that public education be carried out in the united spirit of Orthodoxy, autocracy and nationality" (Lemke M. Nicholas Gendarmes and Literature 1862-1S65 SPb., 1908). Later, describing his activities for 10 years as a minister in a report entitled "Decade of the Ministry of Public Education. 1833-1843", published in 1864, the count wrote in his introductory part: "In the midst of the rapid decline of religious and civil institutions in Europe, with the widespread spread of destructive concepts, in view of the sad phenomena that surrounded us on all sides, it was necessary to strengthen the Fatherland on firm foundations on which the prosperity, strength and life of the people are based, to find the principles that make up the distinctive character of Russia and exclusively belong to it [...]-. The Russian, devoted to the Fatherland, will agree just as little to the loss of one of the dogmas of our Orthodoxy as to the theft of one pearl from the crown of Monomakhov. Autocracy is the main condition for the political existence of Russia. The Russian colossus rests on it as on the cornerstone of its greatness |...|. Along with these two national ones, there is a third one, no less important, no less strong - Nationality. The question of nationality does not have the same unity as the previous one, but both stem from the same source and are connected on every page of the history of the Russian kingdom. With regard to Folkness, the whole difficulty lay in the agreement of ancient and new concepts, but Folkiness does not force one to go back or stop, it does not require immobility in ideas. The composition of the state, like the human body, changes its appearance with age, the features change with age, but the physiognomy should not change. It would be inappropriate to oppose the periodic course of things, it is enough if we keep inviolable the sanctuary of our popular ideas, if we take them as the main idea of the government, especially in relation to public education.

Random phraseology:

Let's thunder to the fanfare!

Meaning:

It is used as a reminder of the threat of retribution for something, of failure, the failure of the work begun (jokingly).

Origin:

From the novel "Shadows Disappear at Noon" (1963) by the Soviet writer Anatoly Stepanovich Ivanov (1928-1999) and the television series-(1974), filmed by directors V. Uskov and V. Krasnopolsky according to the script of the author of the novel with the participation of Arnold Vitol (b. 1922) . Favorite expression of the cowardly comic hero of the novel (21) Yurgin (in the television series - actor Boris Novikov): Let's thunder to the fanfare!

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