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Memory makes it difficult to distinguish colors

12.06.2015

Our eye distinguishes many shades of colors: among only blue, we can distinguish azure, and cobalt, and ultramarine, and many more other options. However, in our memory, we still have some kind of “main” color that replaces all shades: azure, cobalt, and ultramarine become just blue.

Jonathan Flombaum from Johns Hopkins University and his colleagues from a number of other American research centers set up the following experiment: volunteers were asked to look at a color wheel with 180 different shades and find among them the "best" blue, "best" green, orange etc. Then for a moment (more precisely, for one tenth of a second) they were shown a colored square, which was replaced by an absolutely white square - at this time it was necessary to revive the color of the first square in memory. Finally, the person had to find that color on the same color wheel.

As psychologists write in the Journal of Experimental Psychology: General, when trying to indicate the color they saw, all participants in the experiment were mistaken, trying to point to the one that seemed to them the “best” for the first time, that is, the most corresponding to yellow, blue, green, etc. and not the one that actually happened. Moreover, the craving for such a primary color intensified if, after a colored square, it was necessary to remember its color at least for a split second. That is, the more actively the memory worked, the worse the person found the shade that he really saw.

In other words, when we go to the store and take some wallpaper or paint of the same (as it seems to us) shade that we have at home, and then we come and understand that the shade is not at all the same, it’s not the fault so much the seller who convinced us to take not that, but our own memory. The same can happen not only with flowers, but in general with everything that we see: the brain tries to reduce all objects to some basic "prototypes" that have been deposited in it. Of course, when we talk about the best, or basic, or prototypical color, then this has nothing to do with the physics of color - here we are talking about the personal psychological characteristics of the individual. Why this or that object or color suddenly became the main one for him is another question that requires a separate study. It is possible that the clue here lies partly in the language and word usage: if we meet and pronounce the word "blue" more often than the word "azure", this may affect which of the colors our memory will retain.

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Cap of invisibility from ordinary lenses 11.10.2014

The fabulous invisibility cap inspires physicists to keep searching for "invisibility technology". Already now there are several approaches for this, associated with the use of shells or screens, which are able to make the light go around the object and continue to spread in the same direction. In this case, the observer sees what is located behind the object, which is thus made invisible. This in itself difficult task is complicated by the fact that different rays need different times to go around the body, while for "high-quality" invisibility they must propagate simultaneously. The implementation of these methods is associated with the use of high technologies and exotic materials, such as metamaterials. In this case, invisibility is observed only when viewed from a certain point, and disappears as soon as the observer moves a little.

Physicists at the University of Rochester in New York have proposed a different concept - to ensure the disappearance of the subject using the so-called ray masking. They developed a four-lens system capable of hiding large objects placed between the lenses when viewed through them. For its manufacture, cheap and easily accessible lenses with different focal lengths are sufficient. The larger the lenses, the larger the object can be hidden with their help. The object between them will be invisible, even if you look at it from different angles (although the difference in angles should be within a few degrees). Calculations show that on large lenses, masking will work at angles up to 15 degrees or even more. But the lenses must be of high quality to avoid edge distortion.

The secret of the disappearance of objects is very simple. A system of four lenses is like a lens through which the observer sees the background. But she has a feature - the way in which light propagates between the lenses. The lenses are arranged in such a way that the light from the background is collected in a very narrow beam, which is directed along the axis of the system. Such a beam is called paraxial, hence the name of the method "paraxial optical beam masking" given by the authors. An object located between the lenses outside of this beam is invisible to the observer, who continues to see the background. It is only impossible to allow the object to overlap this beam, in other words, it is impossible to place the object in the area where the beam carrying the background image passes - in this case the object becomes visible. Thus, the masking area of ​​the object has the shape of a donut. True, the authors claim that they have a project for a more complex installation in which this problem is solved.

To understand how a paraxial beam is created, it is enough to recall the properties of a convex lens known from school physics. It collects (focuses) the incident light into a small spot around the so-called focus of the lens, and turns the diverging light rays emanating from the focus point into parallel axes of the lens. Thus, the first lens of the setup focuses the light. Having passed the focus of the first lens, the rays of light again begin to diverge, but not far from the focus, a second lens is placed in their path, which converts the divergent beam into an almost parallel one. To do this, the position of its focus must coincide with the focus of the first lens, and the focal length must be smaller so that the beam is narrow. The remaining two lenses in reverse order restore the original light.

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